Partials may be in phase with the fundamental frequency, but they do not have to be. Any such single cycle can be decomposed into component sine waves with frequencies that are exact multiples of the fundamental wave. If this is making no sense, let’s review how additive synthesis works by working backward from a single cycle waveform. It maintains the sound representation in an “additive state” much longer than more conventional additive synths. So what’s all the fuss about? Other synths like Alchemy and Image-Line’s own Morphine are additive synths.
Harmless is a worthy instrument in its own right, but it’s overshadowed by its vastly more competent successor, Harmor.
FL STUDIO HARMOR PLUGIN UPGRADE
There’s nothing quite like it out there, except for its predecessor, Harmless, which also just got the 64-bit upgrade treatment. Harmor is a thoroughly unique innovation. For a geek moment, read the sidebar “Why Delphi?”. Harmor is written in Delphi, a powerful development environment, but one that will never find life on the Mac platform. Harmor’s author is Didier Dambrin, a brilliant (and I suspect slightly mad, but in a very good way 🙂 ) software innovator. But it’s PC-only, and that’s never likely to change. I’ll be saying some extremely complementary things about Harmor. But let me say up front: Mac users, read no further or you’ll just end up very disappointed.
As such, a fresh look at this instrument is certainly warranted. The Harmor software synth from Image-Line debuted several years ago, but it has just recently (at last!) matriculated to 64-bitness. As such, a fresh look at this instrument is warranted.īy David Baer, Sept.
The Harmor software synth from Image-Line debuted several years ago, but it has just recently matriculated to 64-bitness.
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